Publications

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Yaylenko E.V. Venetian palette. The world of a private person in the art of Venice of the Renaissance.

- M .: BuksMart, 2020 .-- 448 p .: ill.

The monograph by E. V. Yaylenko is a study of the art of the Venetian Renaissance, which can be studied only in close connection with the fundamental manifestations of the spiritual life of the era. The work examines the works not only of the leading figures of Venetian Renaissance art - Giovanni Bellini, Giorgione, Titian and Paolo Veronese, but also of artists unfamiliar to the domestic reader. The author recreates the picture of the world of the Renaissance man in its two main aspects - attitude towards women and towards nature, which implies an appeal to a wide range of worldview problems. At the same time, pictorial and graphic works are considered in close connection with artistic problems: questions of style, semantic meaning, etc.


The substantive basis of the research is formed by factual material gleaned from numerous historical sources of the era - treatises on family life, philosophical essays on female beauty, works on education, compendiums about life in a villa, etc. They serve as a basis for interpreting the artistic content of works of art, offering a kind of real commentary on them and allowing one to see in them a specific life content.

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Лободанов А.П. Взгляды Леонардо да Винчи на искусство. Лекции по курсу «Общая теория искусства». — М.: БОС, 2020. — 64 с.: илл. 

Издание посвящено исследованию взглядов Леонардо да Винчи на искус­ство. Рассматриваются представления Леонардо о живописи как филосо­фии; раскрывается теоретическая мысль да Винчи, положенная в основу его живописной практики. Анализируется понимание «природы» у Леонардо, понимание природы подражания рассматривается как главнейший теоре­тический принцип художественной практики и опытно-экспериментальной деятельности Леонардо. Анализируются суждения Леонардо о восприятии, о связи между внешним миром и миром души. Определяется понимание опыта у Леонардо и описание великим мастером научного подхода к искус­ству.

Издание адресовано студентам и аспирантам-искусствоведам, а также ши­рокому кругу читателей, интересующихся вопросами теории и истории ис­кусства.

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Alexander Lobodanov. Dance as a System of Signs. – Liberty publishing house, New York, 2020.

Dance as a System of Signs examines the semiotic nature of dance in the historical and ontological aspects. This study of the basic concepts and categories of dance semiotics is based on a wide illustrative material. Special attention is paid to the study of the properties, structure, and types of dance signs.

 

 «Танец как система знаков» исследует семиотическую природу танца в историческом и онтологическом аспектах. Изучение основных понятий и категорий танцевальной семиотики основано на обширном иллюстративном материале. Особое внимание уделяется изучению свойств, строения и типов танцевальных знаков.

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Лободанов А.П. Избранные труды. Т. I. История ранней итальянской лексикографии: Из истории филологической мысли и практики эпохи Возрождения. 3-е изд. — М.: БОС, 2020. — 364 с. (табл., илл.)

Второй том избранных трудов включает несколько книг. В книге «Синтаксис и стиль местоимений» (1-е изд. М.: БОС, 2015) рассматриваются вопросы текстуализации и грамматико-лексикографической кодификации личных, неопределенных и отрицательных местоимений итальянского языка XIII—XVI вв., описывается история сложения и функционирования названных групп местоименных слов, позволяющая исследовать проблему синтактико-стилистической обусловленности их лексико­грамматической «актуализации» в текстах указанного периода.

Книга «Problematiche grammatical! nel passaggio italiano-russo» (Pisa: TEP, 2011; Pisa: University Press, 2018) посвящена вопросам сопоставительной грамматики италь­янского и русского языков в аспекте перевода с итальянского языка на русский.

Книга «Язык итальянских школьных грамматик: норма и узус» (1-е изд. М.: БОС, 2017) посвящена описанию процессов грамматической кодификации итальян­ского языка в школьных и описательно-нормативных грамматиках со второй поло­вины XIX по конец XX вв. Книга имеет целью проверку надежности метода рассмотрения грамматических явлений (как предмета историко-грамматического описания) в их троякой представленности — в грамматиках (попытки кодификации языка в терминах традиции), в словарях (современный узус и проспективная норма) и в текстах (языковая реальность своего времени).

Настоящее издание включает также статьи автора, близкие тематике второго тома. В публикуемой серии избранных трудов работы, выполненные на иностранных языках, печатаются в оригинальной версии. Все переводы, кроме особо оговоренных, выполнены автором.

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Лободанов А.П. Избранные труды. Т. II. Историческая и сравнительная грамматика итальянского языка. — М.: БОС, 2020. — 474 с. 

Второй том избранных трудов включает несколько книг. В книге «Синтаксис и стиль местоимений» (1-е изд. М.: БОС, 2015) рассматриваются вопросы текстуализации и грамматико-лексикографической кодификации личных, неопределенных и отрицательных местоимений итальянского языка XIII—XVI вв., описывается история сложения и функционирования названных групп местоименных слов, позволяющая исследовать проблему синтактико-стилистической обусловленности их лексико­грамматической «актуализации» в текстах указанного периода.

Книга «Problematiche grammatical! nel passaggio italiano-russo» (Pisa: TEP, 2011; Pisa: University Press, 2018) посвящена вопросам сопоставительной грамматики италь­янского и русского языков в аспекте перевода с итальянского языка на русский.

Книга «Язык итальянских школьных грамматик: норма и узус» (1-е изд. М.: БОС, 2017) посвящена описанию процессов грамматической кодификации итальян­ского языка в школьных и описательно-нормативных грамматиках со второй поло­вины XIX по конец XX вв. Книга имеет целью проверку надежности метода рассмотрения грамматических явлений (как предмета историко-грамматического описания) в их троякой представленности — в грамматиках (попытки кодификации языка в терминах традиции), в словарях (современный узус и проспективная норма) и в текстах (языковая реальность своего времени).

Настоящее издание включает также статьи автора, близкие тематике второго тома. В публикуемой серии избранных трудов работы, выполненные на иностранных языках, печатаются в оригинальной версии. Все переводы, кроме особо оговоренных, выполнены автором.

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Лободанов А.П. Избранные труды. Т. III. Очерки из истории отечественной итальянистики. 3-е изд. — М.: БОС, 2020. — 362 с.

Книга «Очерки из истории отечественной итальянистики» (1-е изд. М.: «БОС», 2013; 2-е изд. М.: «БОС», 2015) посвящена дисциплине, исторически сформировавшейся как комплексное изучение языка, литературы и искусства Италии в их неразрывном единстве. В ней излагаются в историко-филологиче­ском освещении вопросы взаимосвязей русской и итальянской культур, истории и просвещения, рассмотренные в аспекте искусства слова—итальянского в России и русского в Италии.

Настоящее издание включает также статьи автора, близкие тематике третьего тома. В публикуемой серии избранных трудов работы, выполненные на иностранных языках, печатаются в оригинальной версии. Все переводы, кроме особо оговоренных, выполнены автором.

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Яйленко Е.В. Венецианская палитра. Мир частного человека в искусстве Венеции эпохи Возрождения. — М.: БуксМАрт, 2020. — 448 с.: ил.

Монография Е. В. Яйленко представляет собой исследование искусства венецианского Возрождения, которое возможно изучать лишь в тесной связи с основополагающими проявлениями духовной жизни эпохи. В работе рассмотрены произведения не только корифеев венецианского ренессансного искусства — Джованни Беллини, Джорджоне, Тициана и Паоло Веронезе, но и художников, малознакомых отечественному читателю. Автор воссоздает картину мира ренессансного человека в двух основных ее аспектах — отношение к женщине и к природе, что подразумевает обращение к широкому кругу мировоззренческих проблем. При этом живописные и графические произведения рассматриваются в тесной связи с художественной проблематикой: вопросы стиля, смыслового значения и т.д.


Содержательную базу исследования образует фактический материал, почерпнутый из многочисленных исторических источников эпохи — трактатов о семейной жизни, философских сочинений о женской красоте, трудов по воспитанию, компендиумов о жизни на вилле и т.д. Они служат основой для интерпретации художественного содержания произведений искусства, предлагая своего рода реальный комментарий к ним и позволяя усмотреть в них конкретное жизненное содержание.

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Barabash N.A. The brilliance and poverty of postmodernism.

-  M .: "ACADEMICA", 2019.

The book substantiates and reveals not only the path by which postmodernity continues to move.  as a favorite of the time, but also a prerequisite for its appearance, when, having reached a critical mass,  modernity could no longer develop further and gave way to a new phenomenon. However, the splendor and hype created around the "name" of postmodernism do not at all indicate its true essence.  Rather, on the contrary, the whole book, including the game, absurdity, paradoxes, with even greater precision and  inevitability create an entropic field, development on which is fraught with the most unpredictable  negative consequences, which is easy to verify by checking the author's analysis and empirical  research method with processes occurring in society, in art, within the personality itself,  which can hardly be called positive. Hence the somewhat provocative name  research related to the need to refute the alleged successes and conquests of postmodernism.

Addressed to the entire scientific community, to those who are interested not only in the problem of this particular  movement, this flair, but not the direction in art, and who will most likely be able to draw from  of this book is something that, from some unexpected side, will reveal the essence and meaning of postmodernism as  a sore movement in the world of ideas, images, meanings. As a phenomenon clearly subject to entropy  time, very important and necessary for this time.

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Zinovyeva OA Prehistoric images in the modern city.

- M .: Publishing house of Moscow University, 2019 .-- 254 p .; ill.

Based on the latest data from archaeological, anthropological  and  biological  research, author  traces the roots of the emergence of symbols and images that, in the form of sculptures and architectural elements, fill the space of our cities.

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Treshchalin M. Yu., Treshchalina A. V. Energy concept of life. T. II. Numerical symbolism in the worldview of mankind. The energy of the pyramids.

- M .: Publishing house BOS, 2019 .-- 204  with. (table, ill.)

The book "Energy Concept of Life" (EKL) consists of 2 volumes. Volume 1 includes the first part of the EKZH - "Energy of space and the biosphere", volume 2 combines the 2nd and 3rd parts of the EKZH: "Numerical symbolism in the worldview of mankind" and "Energy of the pyramids".

Volume II contains an analysis of the symbolism developed by the sages of the past centuries, which made it possible to assume the existence of a single system of the universe. Particular attention is paid to the analysis of numbers mentioned in Christian religious literature. An original hypothesis is stated that explains the symbolism of the values indicated in the Bible, Revelation from John the Theologian, and the gospels.

 

The issues of perception and concentration of external cosmic energy by pyramidal structures are also considered. The analysis of building materials and minerals used in the construction of the pyramids is given. An analysis of the relationship between Christianity and the Egyptian pyramids is carried out from a historical, engineering and technical standpoint.

The peculiarity of EKZH is a new ideological orientation and a rigorous physical and mathematical substantiation of ideas and hypotheses.

The book is intended for a wide audience.

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Treshchalin M. Yu., Treshchalina A. V. Energy concept of life. T. I. Energy of space and the biosphere.

- Moscow: BOS Publishing House, 2019 .-- 352 p. (table, ill.)

The book "Energy Concept of Life" (EKL) consists of 2 volumes. Volume 1 includes the first part of the EKZH - "Energy of space and the biosphere", volume 2 combines the 2nd and 3rd parts of the EKZH: "Numerical symbolism in the worldview of mankind" and "Energy of the pyramids".

Volume I contains a detailed description of complex studies devoted to the analysis of the influence on the human body of external energy influences of cosmic origin, biorhythmics and the cyclic nature of natural processes. The conducted studies have shown that depending on the magnitude of the characteristics of the external energy existing during the ripening of the fetus, it is possible to determine the best and critical phases of a person's life, potential inclinations, the ability to perceive and accumulate information.

 

This work does not set as its ultimate goal the prediction of fate - the book contains a rigorous substantiation of ideas and hypotheses, carried out on the basis of scientific achievements in the field of physics, biology, sociology, medicine, mathematics.

The book is intended for a wide audience.

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N.B.Danilenko, A.P.  Lobodanov,  K. A. Rozhdestvensky.  House of Jacobi.
- M .: Publishing house "BOS", 2018. - 72 p., Ill.

The Jacobi House (Moscow, Bolshaya Nikitskaya St., 3, bldg. 1) is a monument of Russian classicism. Now it houses the Faculty of Arts of Moscow State University named after MV. Lomonosov. The proposed essay, complementing the history of Moscow University, is devoted to the history of this corner of our university space in the unity of its historical and architectural evolution and the development of education in the field of art.

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Malovichko S.I., Mukhutdinov A.A.,  Resnyansky S.I. Intellectual history of Russia: a course of lectures. 
- M .: Publishing house "BOS", 2018. - 376 p.

The textbook is a lecture on the intellectual history of Russia in the XI-XXI centuries. The authors draw attention to the insufficiently illuminated in our educational historical literature questions about the influence of the Bible text on the consciousness of the Old Russian chronicler, about the life of the historical constructions of the Kiev Synopsis in Russian literature and public consciousness of the 18th-20th centuries, about the emergence of two types of historical knowledge: socially oriented and scientific (on the example of the historical texts of MV Lomonosov and GF Miller) and the politics of memory, which Catherine II tried to carry out through her historical work. The lectures deal with the issues of the relationship between modern science and social consciousness, the problem of time, the construction in consciousness of the attitude to the "just / unjust" war, Eurocentrism and Orientalism in Russian social and scientific thought of the XIX-XX centuries, the relationship of scientific historical knowledge and public (mass) consciousness XlX -  early XXI centuries.

The textbook will enable students to learn, independently interpret various narrative practices and forms of historical consciousness. The text belongs to the popular science genre. The manual has a clear thematic focus and thorough scientific study.

The course of lectures on the intellectual history of Russia is designed for students, graduate students and university professors.

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Nikitina N.N. Classical philosophy. Favorites.

- M .: Publishing house "BOS", 2018. - 292 p.

Reflections on beauty and art accompany the history of philosophy almost from the moment of its inception. The brightest of the pages is inscribed in the history of these philosophical searches by German classical philosophy, which extremely highly appreciated art as a form of spiritual creativity and knowledge of truth. The philosophy of art in German classics becomes an integral part of the philosophical system, without which it loses its semantic integrity.

The purpose of this manual is to consider the theory of art created by Aristotle, the problem of the scientific and philosophical interpretation of Hegel's art, the close relationship between the nature of art and aesthetic pleasure in Kant's philosophy

The author of the textbook is Nikitina Natalya Nikolaevna, Doctor of Philosophy, Professor of the Department of Semiotics and General Theory of Art, Faculty of Arts, Moscow State University. Lomonosov.

The publication is intended for specialists, students of humanitarian faculties in the call and a wide range of readers.

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Kovalev Andrey

Book of Changes. Volume 1: Materials for the history of Russian art / Andrey Kovalev. - [b. m.]: Publishing solutions, 2017. - 502 p.

The Book of Changes is a collection of articles by art critic Andrei Kovalev. Interspersed with academic research with short journal notes, the author tells the story of contemporary Russian art from Malevich to Roginsky. He tells in his own unique manner: subjective, descriptive, atmospheric - exactly the one that will allow the reader to see already familiar and new works of art through the eyes of a historian immersed in a living artistic process.

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Koshaev V.B. ONTO. Art of the Christian world (I - early II millennium AD). Part 1. Theory and didactics of the subject
- M .: MGHPA im. S.G. Stroganov, 2017 .-- 208 p .: ill.

Cult in Christian art is paradoxical with the idea of sacrifice: God to man. This is the realization of ONTO, or ONTOS (Being), as being in history through the possibility of direct disclosure in consciousness and matter of the Spiritual principle and its significance for liberation from original sin. Existence is expressed in Medieval art by the theme of the Savior's Sacrifice of the Cross.

In this edition, ontology is understood in the theme of the Feat of the Sacrifice. The educational edition contains two parts. The first is devoted to the didactics of art ontology and some underdeveloped theoretical issues that are important both for art history and the humanitarian sphere in general. The second part serves as a kind of illustration of the first part and reveals the specifics of the stages in the development of the art of the Christian world in the indicated period of time.

The publication has been prepared within the framework of the direction of the foundations of philosophy in art history for the educational field of art history for master's and postgraduate studies, and can also be used in the study of cultural studies, as well as morphology and phenomenology of art.

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Koshaev V.B. ONTO. Art of the Christian world (I - early II millennium AD). Part 2. Stages of the formation of the figurative system.
- M .: MGHPA im. S.G. Stroganov, 2017 .-- 296 p .: ill.

The second part of the educational publication is devoted to four periods of Christian art: the catacomb time, the period when theology affirmed the essence of the image, the time of iconoclasm and the very beginning of the second millennium.

The need for such an analysis is due to the lack of a didactic construction of the topic in connection with the accumulated questions of the general theory of art. The 1st part of the publication is devoted to this. The second part deals with the history of art in Christendom - a theme that is fundamental to culture and art as a whole.

The publication was prepared within the framework of the discipline "Fundamentals of Philosophy in Art History" for the educational field of art history. It can be used in the study of art history, cultural studies, philosophy of art, as well as individual disciplines: morphology, phenomenology, ontology, typology of art.

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Nikitina N.I. Kant's philosophy of art. "Criticism of the ability to judge". Tutorial.
- M .: Publishing house "BOS", 2017. - 76 p.

The purpose of this textbook is to help students in the study of the philosophy of art of one of the most brilliant thinkers of the modern era - Immanuel Kant.

The author of the textbook is Nikitina Natalya Nikolaevna, Doctor of Philosophy, Professor of the Department of Semiotics and General Theory of Art, Faculty of Arts, Moscow State University. Lomonosov.

The publication is intended for specialists, students of humanitarian faculties of universities and a wide range of readers.

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Lobodanov A.P., Sidorkin A.A. The language of Italian school grammars: norm and usus.
- M .: Publishing house "BOS", 2017. - 228 p.

The book analyzes the school grammars of the Italian language (the second half of the 19th - the beginning of the 21st centuries), which had the greatest influence on the formation of linguistic norms. The most significant changes in the modern linguistic state and general evolutionary tendencies caused by the influence of the processes of regulation and standardization on the linguistic system are revealed.

For researchers, undergraduate and graduate students specializing in the history and state of the art of the Italian language.

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Zadneprovekaya G.V.

Analysis of musical works: Textbook. -
3rd ed., Erased - SPb .: Publishing house "Lan"; Publishing house "PLANET OF MUSIC" 2016. - 272 p .: sheet music. - (Textbooks for universities. Special literature).

This textbook presents the main forms of European music from the 17th century onwards. right up to the present. It reveals the fundamental concepts of musical form in their connection with the content and artistic worldview of the composers of this period. The study of the theory of classical-romantic forms further gives freedom of understanding of various musical styles and trends, contributes to a deep comprehension of the multifaceted world of art.

The presented textbook is intended for students of secondary vocational educational institutions implementing programs in music education and art. However, the textbook can also be used by students of higher musical educational institutions.

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Lobodanov A.P.

Dictionary practice and philological thought of the Italian Renaissance.
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  M .: Publishing house "BOS", 2016. - 516 p. (table, ill.)

The book traces the main stages of the interaction of lexicographic practice and philological thought in Italy in the 15th - early 17th centuries, examines the external and internal patterns of the development of lexicography during the formation of national European languages, analyzes the addition of the method of sensible lexicography in connection with the development of philological thought in Italy of the Renaissance, on the example of the history of early Italian lexicography substantiates the principles of the historical theory of lexicography.

The book is addressed to researchers specializing in the field of historical lexicography, linguists-novelists engaged in the historical and philological study of the Italian language, undergraduate and graduate students studying the history of the Italian language, and will also be useful to a wide range of philologists interested in the culture of the Italian Renaissance.

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Markov  BUT.  I., Velikodnaya  AND.  L. 
Gustave Dore in Russia. Directory experience. 1867-1917.

- Moscow, 2016 .-- 164  with. 

The book is the first experience of a catalog of editions with illustrations by Gustave Dore (1832-1883), published in Russian in Russia before 1917 - more than seventy editions in total, found in the central book depositories of Russia and some private collections.
For specialists and a wide range of readers interested in the history of books and book graphics.

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Nikitina N.I. Philosophy and Theory of Art of Aristotle.
- M .: Publishing house "BOS", 2016. - 56 p.

The purpose of this manual is to consider the theory of art created by Aristotle and answer the most important question for understanding the nature of art: what is the fundamental difference between imitative art and all other forms of human activity, which gives it the right to autonomy?

The author of the textbook is Nikitina Natalya Nikolaevna, Doctor of Philosophy, Professor of the Department of Semiotics and General Theory of Art, Faculty of Arts, Moscow State University. Lomonosov.

The publication is intended for specialists, students of humanitarian faculties of universities and a wide range of readers.

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Silenok valentine

Art for art students: Secon Edition / Valentine Silenok.

- [b. m.]: Publishing solutions, 2016. - 64 p.

The purpose of this manual is to create a practical base for the formation of students' skills and abilities of translation from English into Russian and from Russian into English. This manual is aimed at students of art universities with Pre Intermediate-Lower Intermediate Intermediate language training (part of the language material refers to the Upper-intermediate level).

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Lobodanov A.P. Essays from the history of Russian Italian studies. 2nd ed.
-  M .: Publishing house "BOS", 2015. -  388 s.

The book sets out in the historical and philological light the issues of the relationship between Russian and Italian cultures, considered in the aspect of the art of word - Italian in Russia and Russian in Italy. The development of the themes outlined in the proposed essays can be continued in academic research and university teaching.

The book is intended for researchers specializing in the history of Russian romance studies, for students and postgraduates studying the history of Italian studies in Russia, and will also be useful to those who are interested in the historical ties between Russian culture and Italy.

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Lobodanov A.P. The syntax and style of pronouns. Chapters from the Historical Grammar of the Italian Language.
- M .: BOS. 2015 .-- 448 p.

The book examines the issues of textualization and grammatical-lexicographic codification of personal, indefinite and negative pronouns of the Italian language of the 13th-16th centuries, describes the history of the addition and functioning of the named groups of pronouns, which allows to study the problem of syntactic-stylistic conditionality of their lexical-grammatical "actualization" in the texts of the specified period.

The development of the proposed topic can be continued in academic studies of other groups of pronouns, as well as in university teaching of the course on the history of the Italian language.

The book is intended for novelist researchers specializing in the history of the Italian language, for undergraduate and graduate students studying the historical grammar of the Italian language, and will also be useful to translators from Old Italian and those who are interested in the historical processes of the formation of the Italian literary written language.

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A.P. Lobodanov

LOMONOSOV AND ARTS IN MOSCOW

UNIVERSITY IN THE XVIII CENTURY

Introductory lecture for first year students
September 1, 2015

BOS Publishing House, Moscow, 2015

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Koshaev V.B. Experience in relation to art. Ontology of folk art.
M., MGHPA them. S.G. Stroganov. 2014.180 p., Ill.

Art criticism examines only the inherent properties of art, but the problem is that art is not an artistic object itself, but a special spiritual sensual "medium" looking for the meaning of life first as the beauty of form, and then printing it in the minds of many generations. The core of folk art in its spiritual truth is the condition of sacrificial predetermination, where the cult in the relationship between the natural and the supernatural - the subject and the genus - permeates the pictorial, decorative and technological aspects of life. It is these relations that must be understood using the ontology of art.

For students, graduate students, teachers specializing in art history, art history, philosophy of art, cultural studies.

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Yaylenko  E.  V., Vasilenko  WITH.  IN. 
Renaissance painting.
- Olma Media group Moscow, 2014.

Renaissance fine art is one of the brightest phenomena in the history of world culture. During this period, great artists and sculptors lived and worked, who created unsurpassed masterpieces.
The album presents the best works of the masters of the Italian and Northern Renaissance.

Владышевская. Древнерусская певческая ку

Vladyshevskaya  T.  F. 
Old Russian singing culture and history.

- OOO "Luch" Moscow, 2013. - 464  with. 

Monograph by TF Vladyshevskaya "Old Russian singing culture and history" is devoted to the history of singing art and bells in Russia in the 10th - 18th centuries. The study was carried out on the basis of a wide range of materials, many topics are at the intersection of different disciplines - church archeology, linguistics, theology, history, folklore studies, musicology. Old Russian musical heritage is not only the most important part of Russian culture. Church chants, bells, Russian folk songs - ritual, lingering, epic epics, are included in the treasury of world musical culture. Most of the work is made up of decryptions introduced for the first time into scientific circulation, chants to Russian saints - book. Vladimir, Prince. Olga, St. Boris and Gleb, the Monks Theodosius of the Caves and Sergius of Radonezh, based on ancient Russian singing manuscripts from Moscow manuscript collections. The work is illustrated with black and white and color photographs.

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Lobodanov A.P. Semiotics of Art: History and Ontology: Textbook. - 2nd edition.
- M .: Publishing house of Moscow University, 2013. - 680 p., Ill., Tables, schemes, musical examples. - (Classic university textbook)

The book sets out in the historical and ontological aspect the foundations of the discipline "Semiotics of Art" as a science of the symbolic nature of art. It provides a systematic description of the basic concepts, terms and categories of semiotics as empirical and theoretical knowledge. In addition, research is being conducted on the properties, structure and types of signs; special attention is paid to non-applied and applied arts; the analysis of semiotic systems (special and integral) is given; general historical features of the development of semiotics as humanitarian knowledge are outlined.

The book contains a glossary of terms, tables and diagrams, illustrations and musical examples. The author's goal is to provide a holistic and observable presentation of the discipline, the development of which can be continued in academic research and university teaching.

For students, graduate students, teachers and researchers specializing in the arts. The book will also be useful to anyone interested in art history, history and theory of art.

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G. V. Zubko

Art of the East. Course of lectures / G.V. Zubko.
- M: Vostochnaya kniga, 2012 .-- 432 p.: Ill.

This course of lectures is a kind of introduction to the study of complex problems associated with the traditional art of the East.

The book explores the art of the East on the example of just a few, but very representative examples - the art of Hinduism, Buddhism, Islam, as well as the art of China and Japan. Within each of these large themes, the most significant areas are highlighted, fully demonstrating the specific features of a particular art. In the case of the art of Hinduism, for example, the main focus is on sacred architecture, while when considering Chinese art, it is mainly about landscape painting. The art of the East is in direct correlation with the system of religious mythological representations, therefore, the sacred architecture of Hinduism, which is a religion that has evolved over millennia and is characterized by significant stability, to the greatest extent reflects the fundamental principles of worldview, which are reflected in the art of Hinduism. Similarly, in the case of Chinese landscape painting, inextricably linked with the concepts of Taoism and Confucianism, it is this art form that most fully demonstrates the view of the medieval Chinese on the Universe.

In the process of considering the art of different peoples of the East, certain parallels and comparisons are made with the key principles on which the art of the West is based.

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Shelukhina  E.  N.  Sir George Solti.
Meetings with Russia.
- Publisher G.I. Samov Moscow, 2012 .-- 160
  with.

This popular science publication, timed to coincide with the 100th anniversary of the birth of Sir George Solti, is the first monographic study about the conductor in Russian. The book highlights the multifaceted creative ties of Solti with the national musical culture and its outstanding representatives. For a wide range of readers interested in the performing arts.

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Yaylenko  E.  IN.  The myth of Italy.
- UFO Moscow, 2012 .-- 335  with. 

Yevgeny Yaylenko's book is devoted to the problems of "Italianisms" in Russian culture. Using extensive material of romantic and post-romantic art, the author demonstrates the role of the Italian component, showing how exactly Italian motives affect the change in the genre structure of Russian painting itself, in the emergence of new pictorial formulas for landscape, everyday and historical painting.

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Barabash Natalia Alexandrovna

Television and theater: games of postmodernism.
Ed. 2nd. - M .: KomKniga, 2010. - 184 p.

For the first time, the monograph attempts to examine postmodernism not only through the prism of literature, but also to identify its manifestations, the peculiarities of existence on television and in the theater. Therefore, the book substantiates the interconnection of such different phenomena as the millennial theater and relatively young television - almost the same age as postmodernism itself. The author considers the compositional and structural components, analyzes the genre and metaphorical nature of theater as a form of art and television as an aesthetic phenomenon of time. The analysis is carried out on extensive empirical material, which is based on many theatrical performances, as well as programs, programs of national TV, the activities of TV presenters, actors and directors. Their contribution to the development of the cultural aesthetic situation is assessed from the standpoint of a philosophical understanding of the problem of postmodernism and the reverse impact on the functioning and life of theater and television.

The book can be viewed as a manifestation of the author's individual, largely paradoxical view of the problem of postmodernism.

Addressed to students of humanitarian specialties and to all those who are interested in the nature of the leading direction of modern aesthetics - postmodernism: theater experts, historians, literary scholars, critics.

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Vladyshevskaya  T.  F., Levashova  O.  E., Kandinsky  BUT.  AND.  History of Russian music, vol. 1. - Music Moscow, 2010 .-- 570  with.

The textbook on the history of Russian music, created to replace the textbook for the performing departments of music universities, edited by N.V. Tumanina, published in 1957-1960, was written taking into account the latest research in the field of musicology and the specifics of studying the course of the history of Russian music by students of various specialties.  The first issue of the textbook is devoted to the period of development of Russian music from ancient times to the work of the composers of The Mighty Handful. It examines the work of the founder of Russian classical music Glinka, his contemporaries: Verstovsky, Alyabyev, Varlamov, Gurilev, as well as Dargomyzhsky. 
Designed for students of music universities.

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G. V. Zubko

Ancient symbol. Origins. Semantic structure. Evolution / G.V. Zubko.
- M .: University book, 2010.-248 p.

The origins of the symbol as a cultural phenomenon, which is one of its characteristic features, are investigated. The analysis of the phenomenon of the symbol is based on the data of the myth, which is considered not as fiction, but important ancient knowledge. The symbol, its origins, nature and transformations are also analyzed in relation to the teachings of antiquity and Eastern religious and philosophical systems. In the multilayer structure of the symbol, three constituent elements are isolated. This core is a kind of "capsule" of eternal meaning; the periphery is the zone of fragmentation, development and synthesis of semantic components and the “shell” is the sphere of interaction of the periphery with the World of finite forms, visible, accessible to the perception of a modern person. The basic principles of transformation processes occurring within the semantic structure of the symbol are formulated. On the example of rock carvings and the most ancient writing systems, the functioning of symbols at the earliest stages of human existence is examined.

For philosophers, philologists, culturologists, historians. It can be used in the educational process of universities in the training of personnel in social, philosophical and humanitarian areas and specialties. It is of interest to a wide range of readers.

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Koshaev V.B. Arts and Crafts: Concepts. Development stages: textbook. manual for university students enrolled in the specialty "Decorative and applied arts" /  V. B. Koshaev
- M .: Humanities. ed. center VLADOS, -  2010 .-- 272 p., 16 p. silt - (Art)

The manual contains materials on the theory, composition and history of arts and crafts. The basic terms and concepts, the principles of the relationship between decor and form, cognitive properties and typical forms of folk, confessional, secular, avant-garde artistic traditions of decorative and applied art are revealed.

The manual is addressed to students of art and art-pedagogical universities, can be used by teachers of additional education.

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Trubochkin D.V.

Antique literature and drama. A handbook for students of creative universities.
- M., 2010 .-- 224 p.

The book describes the history of the most important types of ancient poetry - epic, lyric, drama - in their most expressive, classical examples (VIII-IV centuries BC in Greece. II century BC - I century AD). BC in Rome). The development of some prose genres of the era of Hellenism and the Roman Empire, in which classical samples were used and rethought, are shown on characteristic examples. The purpose of the book is to give a coherent, expressive, understandable, observable and modern presentation that can attract the reader's interest in ancient literature. The book is conceived as a guide for art students and non-specialists in antiquity; it can be useful to everyone who is interested in ancient literature.

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Yaylenko  E.  IN.  Venetian antiquity.
- UFO Moscow, 2010 .-- 468  with.

Yevgeny Yaylenko's book is devoted to the interpretation of antique subjects in the art of Venice of the 15th-16th centuries: from artists of the Bellini family to Titian, Veronese and Tintoretto. Experts will certainly appreciate its deep foundation, the elaboration of the material, the completeness of the scientific apparatus. Simply readers will see the Venetian Renaissance as a fascinating spectacle, they will feel this most interesting time in the fullness of its culture, which is not at all reduced in this text to the development of mythological themes.

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Vinokurova O.K.

Art of Germany and Austria in "names" and concepts: monograph / O. K. Vinokurova. -
M .: KDU, 2009 .-- 220 p.

The book reveals the main stages in the development of the art of German-speaking Europe through names and concepts. The analysis of the development of the semantic space of the terms Kultur, Kunst, Stil in the German-language artistic and cultural area is carried out. Particular attention is paid to the meaning of the concept of Gotik, the reasons for the emergence of the term Sondergotik.

The main definitions reflecting the development of German art and artistic culture in general during the Renaissance, Baroque, Enlightenment and Romanticism are revealed. Biedermaier is regarded as a true German phenomenon. The origin and meaning of the terms Jugendstil and Sezession in Germany and Austria are analyzed.

The book is intended for specialists in the field of art history, cultural history and art of Germany and Austria, for philologists-Germanists. It can be used in the educational process, as well as in lexicographic practice in the compilation of both translation and linguistic and cultural dictionaries.

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Lobodanov A.P.

Yuri Vladimirovich Rozhdestvensky: Sketch of a creative biography.
- M .: Publishing house of Moscow.
  University, 2009 .-- 231 p., ill.

The book offered to the reader examines the creative path, scientific views and pedagogical activities of the outstanding Russian philologist, theorist and philosopher of language and culture, Honored Professor of Moscow State University named after M.V. Lomonosov, academician of the Russian Academy of Education Yuri Vladimirovich Rozhdestvensky (December 10, 1926 - October 24, 1999).

The book is intended for specialists in the field of humanitarian knowledge, philologists - teachers, students and graduate students. It can also be useful to a wide range of readers interested in contemporary problems of the development of philological science, the structure of speech relations in society, and issues of the theory of culture.

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Lobodanov A.P.

Language. Literature. Art.
 

- M .: Publishing house of Moscow.  University, 2009 .-- 312 p.

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G.V. Zubko

  Myth: a look at the Universe.
M .: University book, 2008.
  360 p .: ill.

The myth as a cultural phenomenon and a special view of the universe are considered. Scientific ideas about myth are disclosed, an analysis of their nature, origins and key categories is given. Cultural projections of myth in folklore, religion, art, language are presented. The exposition is rich in cultural and historical material, based on the works of the largest researchers of myth, it reflects the mythological heritage of different peoples.

For philosophers, culturologists, ethnographers, historians. It can be used in the educational process of universities in the training of personnel in social, philosophical and humanitarian areas and specialties. It is of interest to a wide range of readers.

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Koshaev V.B. Composition in Russian folk art (based on wood products): textbook. manual for university students studying in the specialty "Decorati.-Applied Art and Folk Crafts" /  V.B. Koshaev. - 
- M .: Humanities. ed. center VLADOS, -  2006 .-- 120 p.,
8 p. silt - (Art)

The study guide systematizes extensive material on composition in Russian folk art from the point of view of its content: structure, means and techniques, basic concepts and history of development. General tendencies of composition are illustrated by materials of carving and painting on wood.

The manual is intended for students studying art and artistic and pedagogical specialties and those who are interested in arts and crafts.

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Vladyshevskaya  T.  F. 
Musical culture of Ancient Russia. 

- Sign Moscow, 2006 .-- 468  with.

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S.V. Litvinov

Art and Society: Textbook. a textbook on the English language for students of universities and faculties of arts.
- M .: Publishing house of Moscow State University, 2002 .-- 250 p.

The manual is intended for senior students of faculties and universities of arts. The material of the manual can also be used for analytical reading, translation, development of oral speech skills (writing a summary of the text, questions and answers, monologue speech), acquaintance with the art history terminology of modern English-language literature. The material of the manual is the original works of British and American authors.

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Kovalev  BUT.  BUT.  Russian Actionism, 1990-2000. - Agey Tomesh / Books WAM Moscow, 2007 .-- 450  with. 

The largest work on the study of almost all events of a performative nature throughout the 90s was done by Andrey Kovalev in the collection “Russian Actionism. 1990–2000 ”, which, in addition to the descriptions of the actions by the artists themselves, also includes quotes from the media reaction to the events, from“ Khudozhestvenny Zhurnal ”(“ KhZh ”) to the people's newspaper“ Megapolis Express ”.